Of all the times to learn that about antisemitic literature circulating in my city, the news reached me during the intermission of “Fiddler on the Roof.” It is a great show that captures a moment in time, combining the folklore of Sholom Aleichem, the imagery of Marc Chagall, and great music by Jerry Bock and Sheldon Harnick to tell a story from the collective Jewish memory. As with true Jewish history, it includes the good and the bad parts of being Jewish. We love “Tradition,” but much of our tradition has been built under the weight of oppression. “Fiddler” does not ignore this as the Russian constable’s promise of a pogrom, a violent attack against Jewish communities, mostly in the Russian Empire. Like Chekov’s gun, the mention of a pogrom comes to fruition and disrupts the joyous wedding scene. Being that this is still musical comedy, the pogrom is sanitized: a few goose pillows are torn up, a table flipped over, and one wedding guest is beaten. There is just enough to suggest what really would have happened.

An informed viewer of the show knows it more likely looked like the description from Chayim Nachman Bialik’s poem, “The City of Slaughter,” written about the 1903 pogrom in Kishinev. Here are a few excerpts:

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