Category Archives: Music, theater, TV, dance

Artists express their cultural and cultural differences  with the creative forms of music, dance, TV  and theater.

Diversity of Film and TV Staff Still Lagging – by Rose Joneson

Behind the Scenes

In the film and TV industries, the lack of diversity is a crisis that stretches back decades and remains largely unresolved despite increasing demands for diversity, equity, and inclusion (DEI). It is a multilayered issue that occurs both in front of the camera and behind it. Be that as it may, discussions on the two are disproportionate, with diversity in casting a more prevalent and publicized matter than the latter. Public awareness and criticism spell the difference, as they often spark movements like #OscarsSoWhite that push the industry to take visible strides.

The same cannot be said for diversity in production crews, where gender and racial gaps continue to persist. UCLA’s Hollywood Diversity Report reveals that women and people of color (POC) remain vastly underrepresented behind the scenes, taking up less than a third of key roles. While this is already an improvement from a few years ago, much can still be done to improve diversity among crew members.

The state of diversity

It’s no secret that whoever holds the power to greenlight projects also determines whether DEI goals are met and set. More than sociocultural norms, this is the crux of the problem, as key decision-makers and regulatory bodies are predominantly white, male, or both. Additionally, the trickle-up effect is common across production companies, where DEI policies only apply to entry-level positions. This is an ineffective measure where diversity is concerned, as these roles are often inconsequential when it comes to decision-making and relevant representation.

Today, only 22% of directors are female and 30% POC, with the number of film writers 33% and 32% respectively. To make matters worse, where diversity is present in key roles, the budget lags far behind that where white men are at the helm. While this unequal balance of power cripples the democracy inherent in a diverse crew today, it isn’t something new.

Working towards diversity in the industry has long begged the question of sustainability. A Michigan State University article indicates DEI measures have a short lifespan and often hinge on emotionally-charged events that draw public outcry. As the aforementioned #OscarsSoWhite incident received widespread coverage with the help of social media, the awarding body committed to renewed efforts toward diversity. For a while, it worked; but as public attention and awareness shifted elsewhere, so did the commitment wane.

The way forward

All things considered, how can the industry do better moving forward? To start, it can increase diversity behind the scenes.

Start at the top

As waymakers in their teams, leaders are instrumental in promoting diversity from the top down. Take the pivotal role of the creative director, who is responsible for overseeing a project’s marketing, communications, and creative operations. Given the scope of their work, they directly report to CMOs and directors on production; yet more than that, they play the role of mentor and critic to a host of team members. As such, they are uniquely positioned to cultivate and encourage diversity in how content and materials are constructed, executed, and presented to the public. In doing so, they create opportunities for women and other minorities within their teams to share not just their craft but their narratives as well.

Cast a wider net

In order to boost diversity among crew members, companies must recruit the diversity they seek. While it’s easy to simply onboard as many diverse talents as possible and call it a day, the human resource director would know that a lot more intention must go into the recruitment process–especially if the goal is to keep and promote diversity within ranks. As such, companies must cast a wider net in terms of their policies and culture. More than just a footnote on job postings or an empty promise, concrete and actionable DEI measures that embrace, value, and facilitate the growth of diversity–both in staff and productions themselves–are key. In this way, women and other minorities are encouraged to join the team, as well as to stay on.

Diversity in the film and TV industries has been slow to progress over the past few years. While it has a long way to go, effective leadership, intentional recruitment, and a more empathetic workplace can hasten progress.

Jacqueline Schwab Podcast: Music and Culture

Schwab Pianist Jacqueline Schwab spins musical stories out of the myriad strands in the American quilt and with community music making at their heart. Her signature playing features in over a dozen of Ken Burns’ documentaries, including his Grammy-winning Civil War, as well as in The Irish in America and other PBS documentaries. She has performed at the White House for President Clinton, on PBS with the American Pops Orchestra and in almost every state of the Union. Her latest album I Lift My Lamp—Illuminations from Immigrant America celebrates music from American immigrants. Jacqueline Schwab grew up in Pittsburgh and has since lived in Boston and on Cape Cod.

Hear Jacqueline talk about musicians who perform music from other cultures and her new album, “I Lift My Lamp.”

Learn how musicians explore with respect music of other cultures, weigh in on the diversity problems confronting the world and promote cross-cultural healing.

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Diversity and Speech No. 35: Rockin’ Diversity – by Carlos E. Cortés and Teri Gerent

Carlos:  Tell me, Teri.  How did you come up with the idea of teaching history through rock and roll music?

Teri: I’ve always loved music.  From the time I became a history teacher in 1998, I thought of music whenever we reached the twentieth century.  Then it hit me.  Why not help students reconsider U.S. history by structuring a course around music?  It worked.  

Carlos:  Well, if music works for teaching high school students, why not for diversity workshops, too?    

Continue reading Diversity and Speech No. 35: Rockin’ Diversity – by Carlos E. Cortés and Teri Gerent

Tonya Todd Podcast: Diversity in the Entertainment Industry

Tonya ToddTonya Todd is a Las Vegas author, actress, and activist. Invested in fair representation, her continued involvement in the literary, theatre, and filmmaking communities provides a platform to champion marginalized artists and contributes toward an environment that embraces a variety of voices.

Hear Tonya discuss her biracial journey and ….

  • The importance of pushing yourself to make people feel included even when it feels awkward or uncomfortable.
  • The damage caused by dismissing projects as Black or Gay or Asian as if they don’t have universal appeal.
  • Why it’s important to consume media that is centered on people whose identity is different from ours.
  • How allies can contribute to an inclusive environment and assist marginalized artists.

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Brace for hard lessons in Ken Burns’ new documentary

Originally published as opinion column in The Chattanooga Times Free Press)

To all of you who, like me, have been long time Ken Burns fans, his documentaries have been mesmerizing: Civil War, Jazz, Baseball, Vietnam and The Roosevelts. And while I eagerly await his upcoming movie, The U.S. and the Holocaust, I have a certain amount of dread about its release. We’re living in a time when even The Diary of Anne Frank is controversial. The banning of Maus demonstrated how divided we are over telling the stories of the Holocaust. Given Ken Burns’ focus, I suspect the outcry is going to be loud and vicious.

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TV Pilot Script: The Liberator’s Daughter

 LOGLINE

A World War II Liberator’s daughter honors his legacy by battling disabilities, discrimination, and hate in her journey from being disabled and homeless, to repairing our broken world.
6-part TV Series
(c) 2022…Deborah Levine Enterprises LLC

31+  FILM FESTIVAL  AWARDS
The Liberator’s Daughter has 31 WINNER AWARDS at international film festivals including:
1) WRPN Women’s International Film Festival, 2) Hollywood Blvd Film Festival, 3) Cineplay International, 4) Dallas Shorts, 5) Indiefare International, 6) Airflix Film, 7) Multi Dimension International, 8) Bright International, 9) EdiPlay International, 10) Magic Silver Screen Festival, 11) Medusa Film Festival, 12) Movie Play International, 13) Red Moon Film Festival, 14) Krimson Horyzon International Film Festival, 15) Cult Movies Festival, 16) Crown International, 17) Swedish International, 18) NYC International Film Festival, 19) London New Wave Cinema Awards, 20 & 21) Indie Cine Tube Awards, 22) 4th Dimension Independent film Festival, 23) Cooper Awards, 24) Tokyo Shorts, 25) 8 & Halfilm Awards, 26) New York Neorealism  Film Awards, 27) Golden Giraffe International film Festival, 28) Liber Films International film Festival, 28) Cooper Awards, 29) ASAA Abdolrahman Sarraei Academic Awards, 30) Sofia International Film Festival, 31) Your Way International film Festival

– Also – Finalist at 1) Delta International, 2) Filmfest International, 3) Blackboard International. Semi-Finalist in 12 film festivals + Honorable Mention at 1) Critic’s Choice International, 2) The Filmmaker’s Space Film Festival, 3) Athens International Monthly Art Film Festival

Pilot Summary: ADRIFT Part A

This story of overcoming adversity features a young woman adrift in New York City. She experiences hate and bullying like so many immigrants and wants to return home to Bermuda. Her father, a World War II military intelligence officer, wants the family to experience a Jewish community. Although her fragile health is at risk in America, Deborah uses her genius IQ to attend Radcliffe/Harvard University. Always outspoken, she challenges the university’s status quo while pursuing studies at Harvard Divinity School and in Folklore and Mythology.
Midway through college, she returns home, her body racked with mysterious inflammation. Like so many young women suffering similarly, Deborah is told it’s all in her head and is sent to a psychiatric hospital. Determination drives her back to Harvard, but insufficiently recovered, she again goes home, completing her degree in NYC.
Deborah’s parents are disappointed and insist that she not be a financial burden. Pressured to quickly get a job after graduation, she becomes a file clerk in Manhattan’s Garment District. Experiencing sexual harassment, she joins the first Women’s Liberation March and reconnects with girl friends.
When Deborah finally gets promoted to secretary,  her parents relocate to Cincinnati for her father’s job. With no resources of her own, she has to leave with her parents for an unknown future in the Midwest. Discouraged, she almost gives up. But inspired by her friends, she prays for the strength that her father had in the war and aims for a future of fame and power.

Continue reading TV Pilot Script: The Liberator’s Daughter

Tiffany R. Warren Podcast: Sony DEI and ADCOLOR

ADCOLORTiffany R. Warren
Executive Vice President, Chief Diversity & Inclusion Officer
Sony Music Group
Founder & President, ADCOLOR

As Executive VP, Chief Diversity & Inclusion Officer for Sony Music Group, Tiffany will expand equity and inclusion activities and policies across all Sony Music Group’s (SMG) global recorded music, publishing and corporate divisions, reporting directly to SMG Chairman Rob Stringer. Previously, as the Senior VP, Chief Diversity Officer for Omnicom Group, Tiffany oversaw a team of 25+ Chief Diversity Officers and Directors focused on Omnicom-wide change efforts through the award-winning Omnicom People Engagement Network (OPEN) for the support, advancement and retention of top performing talent inclusive of women, people of color and LGBT professionals.

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Mirette Seireg Podcast: Diversifying Music Composers

Mirette SeiregMirette Seireg is the founder and owner of  Mpath LLC, the first woman-owned library of its kind to achieve gender parity. Changing the music world for females and other underrepresented composers, Mirette has scouted talent world-wide from nearly every continent on earth.

Mpath’s music library is represented by APM Music in North America and EMIPM in the rest of the world (both owned by Sony). In addition to managing Mpath, Mirette Seireg is an active member of the Production Music Association where she spearheaded the creation of and chairs the Inclusion and Diversity Committee, and she serves on the Mark Awards Committee. The renowned Berklee College of Music / Boston Conservatory at Berklee and Mpath have an on-going mentorship program to provide emerging composers hands-on experience.

​Mpath music is curated by two-term governor of the Television Academy (Emmys) and multi-award-winning Film, Television, Advertising, Game, composer/producer, Michael A. Levine who notes, “When music is created by composers who have different life experiences, they bring different musical ideas to the table.  At Mpath we feel diversity isn’t just the “right” thing – it makes the music better.”

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Music and NeuroCommunication: Part 2 – by Deborah Levine

Neuro Communication with James Brown

My musical neurocommunication with Ravi Shankar ended with his deep bow. The burst of applause was startling after the stillness, as was the quick dash of movement to the bathrooms. I turned to Cousin Sam, thanked him, and started to put on my coat. Sam didn’t move, ”We should stay for the next act.” I whined at that, “I’m tired and it’s a long schlep back to campus on the bus.” “Trust me. We should stay,” he said softly, but firmly. And so, mildly kvetching (complaining in Yiddish), I was still seated when the curtain re-opened.

Continue reading Music and NeuroCommunication: Part 2 – by Deborah Levine

Music and Neurocommunication: Part 1 – by Deborah Levine

Neurocommunication with Ravi Shankar

My cousin Sam and I escaped our Harvard dorms and were about to experience neurocommunication as we headed out to a Ravi Shankar concert in a small neighborhood theater in Boston. I was just seventeen, you know what I mean, and it was frostbite territory standing at the bus stop in Cambridge, Mass. Freezing almost took my mind off of being homesick for my family back in New York. Overcome with loneliness, I needed an attitude adjustment and Sam insisted on some music therapy. He thought that classical sitar music from India would distract and soothe  – reboot my brain.  I wondered why we were the only Harvard students who ‘d come to hear this relatively unknown musician from India. But it was the sixties and Shankar hadn’t yet been labeled by The Beatles’ George Harrison as “the godfather of world music”.

Continue reading Music and Neurocommunication: Part 1 – by Deborah Levine