Four Contemporaneous Scenes
Four Contemporaneous ScenesI. The Inn
Torchlights singe the late night air and the kicked-up dust glows on the path to the inn. A man in a brown robe leads the donkey, each step measured. His wife, wrapped in a wool shawl, stays the autumn chill. For a moment, she must stop, grips the nape of the donkey’s neck, and winces, as before, bracing for the next contraction. He steadies her, wonders if Mary’s okay. She relaxes her hold and smiles, but the harvest moon glinting off her eyes belies her calm assurance. As sure as ebb and flow, the next wave of pain cannot be quelled—her hands pressing her belly as if to stem the tide. Joseph’s feet, no longer downtrodden by fatigue, rush him to the inn. He raps on the oaken door as if his fists were made of brass. But his own would have him not. Go Away! A gruff voice rumbles through the wood. There are no more rooms. Those words echo in the desperate air with Mary’s cries. Yet, there is a shuffle of shoes. A clenched-jaw voice on the other side of the door seeps through, Jacob. Let them in! The innkeeper’s eyes wedge, Yes, Eliana. She stokes the fire, pots clacking on the coals. Water boils. He shows them to the straw-crib behind the house, where the sheep lay.
