Deborah Levine founded the American Diversity Report in 2006. She is a Forbes Magazine top "Trailblazer" and award-winning author of 20 books. Her published articles span decades including: American Journal of Community Psychology, Journal of Public Management & Social Policy, The Bermuda Magazine, The Harvard Divinity School Bulletin.
These coloring pages for ages 6-11 are not only engaging and fun, but also include discussion questions that prompt deep thinking. They’re designed to help young people build critical thinking skills, enhance social and emotional awareness, and increase emotional intelligence.
Bunny Bear and Statue of Liberty
Why call it Bunny Bear? My father called all the women in the family “Bunny”: my mom, me, and, when she was born, my daughter who gave me a teddy bear called “Bunny Bear”. The love that Bunny Bear represents keeps me company always and I’m happy to share that love.
Calvin Hosey is Head of Operations and Payment Partnership at Regpack, a software leader in automation of billing and other business processes. As a Black tech executive who climbed the corporate ladder for the last 20 years, Calvin has a breadth of knowledge to share with other people of color looking for insight into career development and execs wanting to navigate DEI in tech.
Regpack is proud of its diverse employee base including 64% female employees and 28% Jewish. They are a great example of embracing diversity and encouraging people to celebrate their differences in and out of the office.
Hear Calvin discuss:
How he got started in tech and what has inspired him throughout his career.
How diversity on his team helps Regpack problem-solve.
Why it’s important to put more diverse tech leaders on the world stage/in the media to inspire young people to get into STEM careers.
How technology is helping provide more opportunities to groups who previously were left out.
His advice for people of color considering tech jobs.
Why does the Diversity, Equity & Inclusion field include so little religious diversity training? The cultural awareness and cultural competence inherent in DEI are increasingly embraced as the major tools of the global market place of the future. Yet, there is a black hole of information on diverse religions. The silence is due to a paralyzing sense of being overwhelmed and under-prepared, not to a lack of interest or visibility. Turn on the TV, open a newspaper, or check the internet and religion pops out as a major issue across the planet. Look at the increase in EEOC complaints based on religious expression as well as the growing antisemitism, anti-Muslim and other hate-related trends. Yet, the vacuum of expertise in religious diversity exists in most relationship-oriented sectors of our society: business, education, government, and human services.
Alan Chapell is an attorney, singer, songwriter and bandleader. Based in NYC, Chapell tours the world. He is influenced heavily by 80s and 90s music – but his lyrics reflect the world around him.
Hear Alan talk about…
1. His career as an attorney and what drove him to become a singer, songwriter and bandleader.
2. What he learned from touring the world and how that’s shared in his music.
3. His future plans for his music and what audiences he plans to impact.
4. What are the takeaways from his journey that will inspire others, especially young people, to follow their dreams.
Constance Hayes Matsumoto and Kent Matsumoto authored “Of White Ashes” which is based on the true story of their Japanese American family during World War II. Constance is a former corporate and interior design devotee who embraced the art of creative writing. Inspired by Shakespeare’s “What’s past is prologue,” her writing is intended to influence positive change in our world. Kent, a third-generation Japanese American, was born in Virginia and spent his formative years living in Japan where he attended the American School. Together they empty-nest in Delaware and will make the Japanese American Memorial Pilgrimage.
Hear them discuss:
1. The inspiration for “Of White Ashes”.
2. Their decision to co-author “Of White Ashes”.
3. What readers can take away from “Of White Ashes”.
Armando Camina is a pioneering Radio & TV personality and Founder of the Hope Faith & Dreams Foundation (501c3). The Foundation
believes in Critical Thinking using Arts and Education as a path to the development of success. His mentorship program’s mission is to motivate by creating fun ways to learn and to meet interesting people who can inspire the path to learning.Click to see more about the Foundation.
Hear Armando discuss his journey and the importance of Arts & Education, mentorship and literacy.
His first career as a Texas Broadcaster
How did Hope, Faith, and Dreams Begin in 2002.
What is the Kaleidoscope of ARTS Mentorship Program and why is it unique and relevant?
From left to right: John DeNicola, Jennifer Grey, Don Markowitz, Patrick Swayze, Franke Previte
The Dirty Dancing movie starring Patrick Swayze came out in 1987. Its soundtrack spent 18 weeks at #1 on the Billboard 200 album sales chart and 230 weeks in the Top 30. With an astonishing 55 million in sales worldwide, the Dirty Dancing original soundtrack is one of the greatest selling soundtracks of all time.
This podcast features the composers of the movie’s iconic songs John DeNicola, Franke Previte, and Stacy Widelitz. You will be inspired by their work and careers.
John DeNicola is an Academy & Golden Globe Award winning singer/songwriter co-wrote the 2 iconic songs “(I’ve Had) The Time Of My Life” + “Hungry Eyes”. In the last few years John has released 2 solo albums. He also discovered MAROON 5, a pop rock band whose lead vocalist is Adam Levine.
is also an Academy & Golden Globe Award winning singer/songwriter who co-wrote the 2 iconic songs “(I’ve Had) The Time Of My Life” and “Hungry Eyes”. Franke also had hits with Franke & The Knockouts …and co-wrote songs with Cyndi Lauper, Fleetwood Mac & many others who are well known in the music industry.
Stacy Widelitz is a multi-platinum songwriter and photographer who co-wrote “She’s Like The Wind” with his late friend Patrick Swayze, the star of Dirty Dancing. The award-winning song has played on US radio 4 million times. Stacy has also scored features, made-for-TV movies, written the end-title song for Disney’s Pocahontas II, and was nominated for an Emmy for ABC’s World of Discovery.
Have we time-traveled back a century when child labor was a thing? That’s what I first thought when I heard that a food sanitation company was being sued for illegally employing over 100 children ages 13 – 17. The kids cleaned razor-sharp saws with caustic chemicals while working overnight shifts at 13 meat processing facilities in eight states including Arkansas, Colorado, Indiana, Minnesota, Nebraska, Tennessee and Texas.
This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.
I stood in front of the Holocaust education elective class handing out index cards and speaking loudly over the chatting high school students, asking them to write down why they’d chosen this elective.
I called on one particularly talkative student to share her answer: “I wanted to hear both sides of the story,” My eyes widened. She added that she’d read online that the Holocaust is just propaganda and didn’t really happen.
I looked down at the letters in my hand from my father, who had written them during his World War II service, when he’d been a spy and interrogated Nazi prisoners of war. My rabbi had asked me to speak about the letters to her son’s class in Chattanooga, Tennessee.
My father had witnessed the liberation of a concentration camp and the dissolution of the Nazi regime, but for 50 years, he told no one, not wanting his family exposed to the horrors that he’d seen in Germany, France and Belgium. Now, I was sharing his letters with the next generation of high school students, in a time where nearly two-thirds of their age group does not know 6 million Jews died in the Holocaust. I hoped to address this profound lack of awareness and prevent the perpetuation of antisemitism through a direct engagement with history.
I didn’t learn that my father had interrogated Nazis until I began interviewing Holocaust survivors for a documentary, Classroom Holocaust Stories. I decided to make the film after the Oklahoma City bombing in 1995. I needed to understand the appeal of American neo-Naziism, and learn how to re-educate its followers away from hate.
Dad grew increasingly nervous about my documentary subject matter, but the last straw was in 1997, when I went undercover to a meeting of several dozen neo-Nazis organized by international Holocaust denier David Irving as part of my documentary research. I’d moved to Tulsa to make the film, and Dad took the next plane there to check on me. That’s when he revealed for the first time his wartime activities, bringing over 100 letters he had written.
Dad was a “Ritchie Boy,” a famous group of predominantly Jewish soldiers trained at a secret U.S. military intelligence camp, Fort Ritchie, in Maryland, in frontlines interrogation, counter-intelligence and battlefield intelligence. Most Ritchie boys were spies before becoming interrogators closer to the end of the war, and many of them were German-born Jews, selected for their fluency in multiple languages.
My dad had hidden the hundreds of letters he’d written to my mother in his closet. When we began reading them together, I better understood his fear and his previous silence. Who would want to discuss liberating the Nordhausen extermination camp in central Germany with their kids? In one later from 1945, he wrote: “Nordhausen was a wreck and also the scene of concentration camp leftovers — we saw 2,000 bodies in one place — the sight and smell are still with me.” Dad needed me, and the high school students in front of me, to understand that we were now seeing echoes of a time when Germany, once known as a cultural and scientific hub, fell “prey to the evil of Naziism.”
The class became still as I projected on the classroom wall a photo of my father proudly wearing his military uniform, just four or five years older than the students themselves. Phones dropped into pockets for good when I projected a photo of one of his handwritten letters and read his description of required classes for Ritchie Boys: “Order of Battle, interrogation, and interpretation techniques, photo interpretations and plenty of field work: pigeons, radio and telegraph. There were lectures on military information and a tough two-day field exercise problem which I managed to survive.”
I recruited a student to read aloud one of Dad’s letters that I’d wrapped in protective plastic. In May 1945, he wrote: “A large part of the population never belonged to the Nazi Party, but 99.9% blame Hitler only for losing the war and seem to suffer no pangs of conscience over the origins of the war or the ideology of the Party … They have no questions over the misery they brought to millions of French and English, Poles and Russians.” The student paused, clearing his throat. “The Germans didn’t consider them as humans.” He looked up at me questioningly.
“Yes, this is all true,’ I nodded. “And we need to hear this.” When I asked for another volunteer to read a letter, the students looked scared.
Finally, one student raised his hand tentatively and read the next letter. “The stories of German cruelty and oppression are not just stories — they are the real thing. And much of this was done by what we call ordinary people — not just the party members, but a vast number of common citizens who fell easy prey to the baloney of national socialism. People who were jealous, griped, depraved, and plain scared.” He handed the letter back to me, his hands shaking.
Seeing a classroom of anxious faces, I read aloud from one of the index cards I’d asked them to fill out at the beginning of the class — the one that said: “I chose to take this class because of all the conflicting information I’ve gotten about the Holocaust. I just want to know what really happened. Besides, the Holocaust isn’t talked about much in any of the history classes I’ve taken so far.”
The student whose card I’d read smiled, and volunteered to read another letter. “I have talked to enough Germans to fill a good-sized section of Milwaukee — and all types — army generals and storm troopers, miners and artists, professors, businessmen and farmers. Confront them with the truth and they cannot believe it.” She paused, then whispered the rest: “We can remove the Nazis, but re-education is vital, and we had better be successful.”
I ended by asking the students to write down on fresh cards what had stuck most in their minds from the class. I read their responses when I got home and was deeply impressed by our session’s impact. One card said: “One of the things that had the largest impact on me was the amount of people that were murdered during the Holocaust, but also the many people who refused to do anything. There were homes right next to the camps and I know they could smell the burning flesh, but they went on with their lives like nothing was going on. Then, when it came to do something about it, they claimed ignorance of what was going on.”
Speaking to these high school students underscored for me how dire the state of Holocaust awareness is among young Americans. We need a broader, more effective reach for Holocaust education given the U.S. Millennial Holocaust Knowledge & Awareness Survey, conducted for the Claims Conference in 2020. The study polled 11,000 millennials and Gen-Z Americans (ages 18-39). Tennessee ranked 32nd in states with Holocaust education but was not alone in the lack of knowledge. About 63% of those polled didn’t know that 6 million Jews were killed, with 11% claiming that Jews had caused the Holocaust and 45% reporting that they had seen Holocaust denial or distortion online.
Thirty-one states have rejected requirements for Holocaust education in their curriculums. We need a federal mandate funding Holocaust education. If we don’t, the next generation will be shaped by online misinformation, fueling Holocaust denial and distortion. The wartime letters from my father were pivotal in shaping the understanding of one Tennessee classroom.
As my Ritchie Boy father said, “we had better succeed” at educating our youth about the horrors of the past. Otherwise, we will be doomed to repeat it.
Deborah Levine is an award-winning author, founder & editor of the American Diversity Report, and was named a Forbes Magazine Diversity & Inclusion Trailblazer. She is also a Holocaust educator, religious diversity speaker and creator of the documentary Untold: Stories of a World War II Liberator.
The views and opinions expressed in this article are the author’s own and do not necessarily reflect those of the Forward. Discover more perspective in Opinion.
This article was originally published on the Forward.
Joseph James is an award-winning mainstream singer-song writer/ producer from New York, and the founder of AP Music Group. He holds a bachelor’s degree in music from Berklee College of Music in Boston, MA. Joseph has performed, produced and toured with major acts all over the world. Some notable acts include Lady Gaga (Stefani Germanotta) and Ritchie Blackmore (Deep Purple).
“Valentine” is Joseph’s debut single released worldwide in January, 2023, followed by 10 more powerhouse tracks on his debut album, ’55.’ With Joseph’s record label, studio and performance experience, Joseph is setting out to be the next big act in the mainstream commercial music business in 2023.
Hear Joseph talk about his experiences of working with SuperStars:
Fun / wild experiences of being on the road with Richie Blackmore
How he met Lady Gaga
Working with Dolly Parton
His decision on finally releasing his first solo album