She paced the floor, hands wringing,
babbled to herself, sometimes tossed words
toward us that might or might not make sense.
Not unlovely, she hid her attractive figure
in simple cotton dresses, and coiled
her long, brown hair in an old-woman bun.
Floated in her own world, like a butterfly
in a conservatory, from one hallucinatory
bloom to another.
Across all ages or stages of life we ask different questions of a similar nature. I think the most enduring questions were penned by the FitzGerald-Khayyám Rubáiyát team when they asked, Why are we here? Where have we come from? Where are we going? At each life-stage the questions take different forms. When younger we ask Who Am I? Then at midlife we ponder: Is This All There Is? and Where Am I Going? And finally in old age as we review our journey, we ask How Have I Lived My Life? and How Do I Want To Be Remembered? Of course all these questions can all be asked repeatedly at any age.
On New Years Eve 2017 we bade adieu to one of the historically worst years of our lives. Certainly we enjoyed some good moments, but overall a darkness descended when that old suicidal devil revealed his ugly Trump face, and made appearances in Europe, the Middle and Far East, and Africa. While summing up the well-lived and terrified parts of that year, Judy asked, “I wonder if I have lived a small life?” Of course she is not asking about size, and rather if her life mattered.
Another year has come and gone and a new one just begun.
We completed another circuit around our brilliant Sun.
As we reflect on how we fared in 2017,
Let’s also pause to consider what each of our relationships to us mean.
There are people that we value for their wisdom and insight,
And others who will stand by us in any righteous fight.
There are those we know through love, through friendship, and through tears,
And those with whom we work or worship or were classmates through the years.
(Artwork by Jonathan Lyndon Chase – Pulpit)
Kohn Gallery presents Engender, a group exhibition featuring contemporary artists who are revolutionizing the way we visualize conventional gender as exclusively male or female. Established in 1985, the Kohn Gallery has presented historically significant exhibitions in Los Angeles alongside exciting contemporary artists, creating meaningful contexts to establish links to a greater art historical continuum.
Through painting, a medium that has traditionally embraced this binary, these artists are pushing the genre in new, unprecedented directions, challenging the ways in which paintings can be used to deconstruct and rewrite conventional notions of personal identity. The exhibition highlights the inter-blending of traditional and figurative abstraction as the foundation for more fluid and inclusive expressions of identity, engendering a new visual pronoun. Engender is beyond the binary.
“If the show can expose people to questions about gender, questions that they may have never known to ask, that would be a success in my book. I want people to be exposed to this topic first and foremost. I think awareness is what will lead to further conversation. When you have something so tethered to a long history of cultural categorizations such as gender, assumptions occurs. Assumptions that negate proper exposure, discussion, and education on a very complex and multilayered component of all our lives. The artists in the exhibition are reclaiming that narrative, visually crafting languages that speak to their own unique experience, and yet can very much be understood by all.”
~ Joshua Friedman, Curator and Associate Director of Kohn Gallery Continue reading Engender Exhibit Goes Beyond the Binary→
Loss, trauma, memory, and the impenetrable ties of family are the elements that weave together Sharon Hart-Green’s panoramic debut novel Come Back for Me (New Jewish Press). Set in the aftermath of World War II, it is a gripping story about the redemptive power of love and self-understanding.
Come Back for Me tells the story of two young Jewish characters; one is a Hungarian Holocaust survivor Artur Mandelkorn who is on a desperate quest to find his beloved sister, Manya, after they become separated during the war. Artur’s journey takes him to Israel where he falls in love with Fanny, a young woman who still bears the scars of her own tragic past in Germany.